En raison du lien direct et conventionnel entre le signifiant et le référent qui caractérise la catégorie du nom propre, celle-ci est affranchie de contraintes linguistiques visibles permettant sa délimitation. L’hétérogénéité résultant de cette particularité augmente lorsqu’il est considéré que cette dernière n’est pas incompatible avec une opérativité sémantique sous-jacente du signifiant, tant que cette opérativité n’interfère pas dans la désignation du référent et que la fonction de la dénomination est l’identification de celui-ci au sein d’une classe. Dans l’objectif d’attribuer (...) une cohérence à l’organisation interne de cette catégorie, nous proposons d’appréhender la diversité de ses membres par le biais d’une approche graduelle et bipolaire dans laquelle l’opposition nom propre vs nom commun est centrale. Cette approche a été transposée à deux des caractéristiques qui ont une incidence sur la typicalité des noms propres : la forme et la fonction sémantico-référentielle sous-jacente du signifiant. La structuration des occurrences de la transcription de l’émission C dans l’Air par ce biais est l’occasion de présenter les particularités de cette approche graduelle et bipolaire, ainsi que ses écueils et avantages. (shrink)

The article addresses the question of whether Derrida in his political theology can be considered an “unfaithful” reader of Schmitt. While Derrida does not quote Schmitt’s Political Theology, some of his assertions are reminiscent of Schmitt’s disciplinary use of political theology. Indeed, Schmitt’s account of the relationship between exception, decision, and sovereignty was abundantly discussed in Derrida’s last seminar, The Beast and the Sovereign. Derrida attempts in this seminar to deconstruct the sovereignty of the nation-state and its onto-theologico-political foundation. The (...) question I raise in this article is whether, in previous years, Derrida himself had not implicitly made a different political theology that, considering the negative theological path, develops an alternative idea of power. The hypothesis explored is that this alternative paradigm is derived from one of the names of the impossible: the gift. (shrink)

Although we cannot find any Aesthetics system in the works of NISHIDA Kitarõ (1870-1945), the most significant and influential Japanese philosopher of the twentieth-century, one of his central themes is the role of art and aesthetics in relation with morality and religion. His aesthetics approaches are magnificent examples of his aim to overcome the innate dualism that sustains modern epistemology and a door, apparently hidden, to a better understanding of all his speculative scheme of philosophy. This paper attempts to throw (...) light to the importance of the first aesthetic approximation developed by Nishida eleven years before the publication of Zen no Kenkyû [ 善 の?究 ] (An Inquiry into the Good) (1911) and twenty-three years before the publication of the more accurate system of aesthetics that we read in Geijutsu to dôtoku [芸術 と 道? ] (Art and Morality) (1923). We will analyze the small essay entitled "Bi no Setsumei" [美 の?明] ("An explanation of Beauty") (1900) and Nishida's first definition of beauty as muga [無我] (self-effacement or ecstasy). (shrink)

Approaches to Nietzsche’s political philosophy abound. In this article, however, we explore the possibility of identifying not only a political philosophy, but also a political-theological reading in Nietzsche’s texts. In fact, such a political-theological reading already has something of a genealogy. In the 1960s, “radical theology” appropriated the Nietzschean topic of the death of God, which engendered a transferred radical political theology consisting in radical democracy. The first part of this article explores twentieth-century political theologies surrounding the death of God. (...) We ask herein if this is the only possible political-theological reading of Nietzsche’s texts. The second part argues that, in fact, we can ascribe to Nietzsche a “theological” intention that is transferable to his political theory in a way that differs from the attempts of radical political theology and other political theologies surrounding the death of God. We conclude that, in any case, Nietzsche’s political theology aims to counterbalance St. Paul’s nihilism more than to constitute a determined political view. (shrink)

Soilless crops are commonly used in rooftop agriculture because they easily adapt to building constraints. However, acceptance of the produce derived from this system may be controversial. This paper evaluates consumers’ acceptance of food from RA in Mediterranean cities, focusing on the quality of the product, production system, and consumers’ motivations. We surveyed 238 respondents on the UAB university campus as potential consumers. The survey was distributed via an Internet-link that was provided along with a sample of tomatoes from RA. (...) The results showed that most people approved the quality of RA products and perceived them to be local and fresh. The respondents exhibited acceptance of soilless-produced tomatoes and considered them to be environmentally better than conventionally produced ones. Cluster analysis revealed that consumers with high income levels and a university education had a better perception of the quality and proposed a higher price for RA products, but no difference was found regarding their environmental perception of this products. Moreover, people who possessed more information about the product also had a higher perception of the quality and production system and would pay more for them. The main concerns of consumers were related to food safety and the social impact of RA. Additional research is needed to improve the sustainability of RA, and the applied measures should be communicated to potential consumers to enhance their acceptance and success. (shrink)

The paper deals with the critic of the interpretation of the relationship between the Quijote and the idea of Spain by the "Generation of 98".

Dans le Beyrouth des annees 1910-1920, deux hommes et deux femmes, ayant en commun des origines grecques et le metier d'ecrivain-journaliste, voient leurs destins se croiser autour du mouvement arabiste. Considere aujourd'hui comme martyr de la Nation libanaise, Petro Paoli (1882-1916) est condamne en raison de ses ecrits par le tribunal ottoman d'exception de Aley et execute le 6 mai 1916. Constantin Yanni (1885-1947) echappe au meme sort et se rend au Hijaz ou il prend part a la Grande revolte (...) menee par le Cherif Hussein. Marie Ajami (1888-1965), fiancee tragique de Petro et Marie Yanni (1890-1975), sur de Constantin, menent un double-combat en faveur de la cause feministe et de l'independance nationale. Ce livre suit le cheminement de la quete d'un Quatuor qui entraine l'auteur dans le dedale des identites multiples, entre memoire et oubli. Le temps de la recherche rythme le recit. Les carnets de bord tenus par Basma Zerouali tissent une trame dans laquelle viennent s'inserer compte-rendu historique, documents d'archives, photographies et entretiens realises lors d'enquetes de terrain. L'actualite d'alors s'y dessine par petites touches, de la France au Liban en passant par la Grece des annees de " crise " ou le Damas du dernier ete avant la guerre. Membre scientifique de l'Ecole francaise d'Athenes, Basma Zerouali y dirige depuis 2012 le programme de recherche La Grece et le monde arabe. Elle a collabore durant plusieurs annees aux recherches du Centre d'etudes d'Asie Mineure a Athenes et a enseigne a l'Universite de Chypre. Elle est l'auteur de nombreux travaux portant sur le cosmopolitisme et le metissage culturel en Mediterranee orientale. (shrink)

Although we cannot find any Aesthetics system in the works of NISHIDA Kitarõ (1870-1945), the most significant and influential Japanese philosopher of the twentieth-century, one of his central themes is the role of art and aesthetics in relation with morality and religion. His aesthetics approaches are magnificent examples of his aim to overcome the innate dualism that sustains modern epistemology and a door, apparently hidden, to a better understanding of all his speculative scheme of philosophy. This paper attempts to throw (...) light to the importance of the first aesthetic approximation developed by Nishida eleven years before the publication of Zen no Kenkyû [ 善 の ?究 ] (An Inquiry into the Good) (1911) and twenty-three years before the publication of the more accurate system of aesthetics that we read in Geijutsu to dôtoku [芸術 と 道? ] (Art and Morality) (1923). We will analyze the small essay entitled "Bi no Setsumei" [美 の ?明] ("An explanation of Beauty") (1900) and Nishida's first definition of beauty as muga [無我] (self-effacement or ecstasy). (shrink)

I argue that stories are ‘equipment for living’ in two senses: retrospectively, they provide ‘configurational comprehension’ of a temporal sequence of events; prospectively, they offer templates for action. Narrative conceptions of the self appear well poised to leverage these functional roles for stories into an intuitively compelling view of self-construction as self-construal. However, the narrative conception defines selves in terms of the lives they live: a self is the protagonist in a lifelong story. And narrative structure is itself defined by (...) ‘retrospective necessity’: the meaning of events within a story is given by their contribution to that story's ending. Together, this entails that life stories hold selves metaphysically, epistemically, and practically hostage to their ends. Fortunately, narratives are just one species of interpretive frame. I suggest some alternative types of frames, including identity labels and metaphors, that support configurational comprehension, action guidance, and self construction without shackling selves to their lives’ ends. (shrink)

La obra del filósofo japonés Tosaka Jun permanece todavía muy desconocida, tanto en el entramado acotado de los estudios japoneses, como en el campo filosófico. Y esto a pesar de la importancia de sus reflexiones para el ayer al que perteneció y el ahora que se resignifica, en parte, con los materiales residuales del siglo pasado. Dentro de su proyecto filosóficamente polifónico, Tosaka se empeñó en clarificar las relaciones entre nacionalismo cultural, capitalismo, totalitarismo y vida cotidiana. Este trabajo presenta su (...) figura entre lectores y estudiosos de la filosofía hispanohablantes e invita a sopesar críticamente la valía de algunas de sus reflexiones en clave de presente. Para ello se analizarán algunos ejes esenciales de su pensamiento con el propósito de clarificar cómo se cristalizan las nociones culturales, qué engranajes emplean las ideologías reaccionarias para la movilización de la masa social y sus sueños rotos o el mecanismo tras el movimiento de traslación del mundo académico y los medios de comunicación de masas, asuntos que llevarán a una final reflexión sobre la transhistoricidad y la retornada mitologización de las identidades colectivas. (shrink)

La recepción y comprensión de la filosofía japonesa en el contexto académico hispanohablante todavía carece de una estructura coherente. Después de la nada intenta corregir algunos sesgos persistentes y subyacentes en los libros disponibles en español sobre filosofía japonesa: el nacionalismo metodológico, el criterio en la selección de los autores y la categorización de la transmisión del conocimiento de figuras, escuelas o textos de la contemporaneidad filosófica en Japón. De este modo, el valioso aporte de esta obra no es solo (...) sumarse a la tarea de proyectar globalmente la filosofía japonesa para hacerla más accesible al lector hispanohablante, sino también contribuir al esfuerzo de identificar los temas filosóficos contemporáneos que surgen en y desde Japón, recuperando autores poco estudiados como Tsuchida Kyōson, Miki Kiyoshi, Tosaka Jun, Maruyama Masao, Tanaka Mitsu, Karatani Kōjin o Nagasaki Hiroshi, entre otros. (shrink)

De Bie et al. (2023) introduces a framework to conceptualize ethical issues based on four different domains, but the problem lies in the domains being falsely bounded. Apart from the step from doma...

This book presents the idea of Nomos of the Earth as the key idea that organizes the whole of Schmitt’s discourse about politics.